However, when soloing, you'll eventually want to have the option to play across larger fretboard areas. You can move between the boxes and keep your bearings (since you now know each scale degree's box pattern and where it lies in relation to the next/last!) We looked at this in part one, pulling related chord shapes out of the scale patterns.Ģ) They allow you to create scale runs in a confined area which is useful for quick legato playing and arpeggios (more on these in their own lessons).ģ) At first, they help you break down the large scale pattern into "bite sized" chunks. Expanding Out Of "Box Think"īox scale patterns are useful for three main reasons:ġ) They help you see convenient chord shapes that can be built around the scale you're playing (since chords essentially use the same intervals). This will allow you to use runs and other scale techniques in more economical spaces on the fretboard, especially at higher frets. So spend time learning each position pattern by heart before you attempt to link them together.Īlso, as well as linking the Major Scale positions together into one large pattern like above, try creating your own larger patterns by linking two or more positions together (for example, three-notes-per-string). The important thing is you can gauge the position of these root notes from the individual position patterns you learned. When the root note changes, the entire pattern moves with it.
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